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Alfred Sisley Die Wascherinnen von Moret oil painting


Die Wascherinnen von Moret
Painting ID::  74893
Alfred Sisley
Die Wascherinnen von Moret
1888(1888) Oil on canvas 36 X 43 cm cjr

   
   
     

Alfred Sisley Brucke von Moret in der Morgensonne oil painting


Brucke von Moret in der Morgensonne
Painting ID::  74928
Alfred Sisley
Brucke von Moret in der Morgensonne
1888(1888) Oil on canvas 65 X 92 cm cjr

   
   
     

Alfred Sisley Flublandschaft bei Moret-sur-Loing oil painting


Flublandschaft bei Moret-sur-Loing
Painting ID::  74932
Alfred Sisley
Flublandschaft bei Moret-sur-Loing
c. 1890 Oil on canvas 39 X 55,5 cm cjr

   
   
     

Alfred Sisley Rast am Flubufer oil painting


Rast am Flubufer
Painting ID::  74954
Alfred Sisley
Rast am Flubufer
1872 Oil on canvas 73 X 81 cm cjr

   
   
     

Alfred Sisley Stilleben, Trauben und Nusse oil painting


Stilleben, Trauben und Nusse
Painting ID::  74973
Alfred Sisley
Stilleben, Trauben und Nusse
ca. 1880(1880) Oil on canvas 38 X 55.5 cm (14.96 X 21.85 in)

   
   
     

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     Alfred Sisley
     French 1839-1899 Alfred Sisley Galleries Alfred Sisley (October 30, 1839 ?C January 29, 1899) was an English Impressionist landscape painter who was born and spent most of his life in France. Sisley is recognized as perhaps the most consistent of the Impressionists, never deviating into figure painting or finding that the movement did not fulfill his artistic needs. Sisley was born in Paris to affluent English parents; William Sisley was in the silk business, and his mother Felicia Sell was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Fr??d??ric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father??until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud.

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